{"product_id":"two-touches-virginia-cohn-parkum-c-unknown","title":"Two Touches - Virginia Cohn Parkum, c. Unknown","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"b4b4e1d1-7f85-478b-ad26-490320b8c976\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ba5e0f6d-53ed-43ac-8dd3-bccf9fc79f84\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cbr\u003e\n\u003ctable width=\"100%\" style=\"width: 98.087%;\" height=\"1543\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong data-start=\"0\" data-end=\"53\"\u003eArtwork Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Touches\u003c\/strong\u003e\u003cbr data-start=\"53\" data-end=\"56\"\u003e\u003cem data-start=\"56\" data-end=\"88\"\u003eVirginia Cohn Parkum, c. Unknown\u003c\/em\u003e\u003c\/p\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"b4b4e1d1-7f85-478b-ad26-490320b8c976\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ba5e0f6d-53ed-43ac-8dd3-bccf9fc79f84\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"7dbb9ce6-002d-4a76-84f7-6af88d3e62f9\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-end=\"465\" data-start=\"63\"\u003eIn \u003cem data-end=\"79\" data-start=\"66\"\u003eTwo Touches\u003c\/em\u003e, Virginia Cohn Parkum distills visual language to an austere minimum, presenting a field of luminous green interrupted only by two slender vertical gestures of yellow and a muted, grounded form near the lower edge. At first glance the composition appears nearly empty, yet the work reveals itself through restraint: presence is defined not by what is rendered, but by what is withheld.\u003c\/p\u003e\n\u003cp data-end=\"987\" data-start=\"467\"\u003eThe two yellow marks unequal in length and intensity hover in quiet relation. They neither intersect nor fully separate; instead, they suggest proximity, communication, or the possibility of contact. The title invites interpretation through the language of touch: these strokes may signify moments of encounter, fleeting connections, or the delicate threshold between isolation and communion. Their verticality evokes presence, standing forms, or even spiritual signals descending into the field of perception.\u003c\/p\u003e\n\u003cp data-end=\"1524\" data-start=\"989\"\u003eThe expansive green ground functions not as background but as atmosphere. Its soft tonal variations and visible brushwork create a space that feels contemplative and open, recalling the calm of a meditative field or the stillness of an interior emotional landscape. Within Parkum’s broader practice this chromatic quiet suggests equilibrium rather than tension. The painting becomes a space of pause, an interval between experiences rather than the experiences themselves.\u003c\/p\u003e\n\u003cp data-end=\"1827\" data-start=\"1526\"\u003eNear the bottom edge, a darker, horizontal passage anchors the composition, introducing weight and grounding the otherwise suspended gestures. This subtle base may be read as earth, horizon, or embodied reality — the material condition against which moments of connection briefly appear and disappear.\u003c\/p\u003e\n\u003cp data-end=\"2238\" data-start=\"1829\"\u003eParkum’s minimal vocabulary here aligns with her recurring spiritual concerns. By reducing form to essential gestures, she emphasizes awareness over representation. The painting does not narrate; it invites attention. The viewer becomes acutely aware of distance, presence, and the fragile nature of contact — themes that resonate with Buddhist notions of interconnection and the fleeting nature of encounter.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2622\" data-start=\"2240\"\u003e\u003cem data-end=\"2253\" data-start=\"2240\"\u003eTwo Touches\u003c\/em\u003e stands as a meditation on relationship in its most elemental form. It suggests that connection need not be dramatic to be profound; even the lightest contact can alter the field of experience. In its quiet restraint, the work offers a contemplative space where absence and presence coexist, and where meaning emerges from the subtle tension between solitude and touch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n-\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eJonathan Flike\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eCustom Shipping Notice\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDue to size, weight, and handling requirements, this painting requires custom shipping. Shipping costs are \u003cstrong data-start=\"222\" data-end=\"238\"\u003enot included\u003c\/strong\u003e at the time of purchase and will be \u003cstrong data-start=\"275\" data-end=\"322\"\u003equoted separately after payment is received\u003c\/strong\u003e. A custom shipping invoice will be issued \u003cstrong data-start=\"365\" data-end=\"393\"\u003ewithin 3–5 business days\u003c\/strong\u003e, based on the artwork’s dimensions, destination, and quotes from our shipping partners. The artwork will \u003cstrong data-start=\"499\" data-end=\"560\"\u003enot ship until the shipping invoice has been paid in full\u003c\/strong\u003e. This process ensures appropriate packing, insurance, and safe delivery.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStyle: Modern\u003c\/li\u003e\n\u003cli\u003eSubject: Abstract\u003c\/li\u003e\n\u003cli\u003eYear: Unknown\u003c\/li\u003e\n\u003cli\u003eSize: 9.00 x 12.00 in (60.96 x 121.92 cm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Acrylic\u003c\/li\u003e\n\u003cli\u003eMaterial: Canvas\u003c\/li\u003e\n\u003cli\u003eSignature: Signed on verso\u003c\/li\u003e\n\u003cli\u003eCirculation status: One of a kind\u003c\/li\u003e\n\u003cli\u003eFrame Status: Unframed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong data-end=\"119\" data-start=\"78\"\u003eVintage Condition Disclaimer\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-end=\"122\" data-start=\"119\"\u003e\u003c\/strong\u003ePlease note that this item is vintage and shows wear consistent with age, use, and history. Signs of wear may include, but are not limited to, minor surface marks, patina, fading, or imperfections typical of older items. All items are sold\u003cstrong\u003e as-is\u003c\/strong\u003e, which is standard with vintage and pre-owned goods and cannot be returned on the basis of condition. Measurements are approximate. We do our best to describe items accurately; however, condition assessments are subjective. If you would like additional details, images, or clarification before purchasing, please contact us through the contact form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eSpecial Condition Notes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eProvenance*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnknown-2025\u003c\/strong\u003e: Virginia Cohn Parkum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2025-2026\u003c\/strong\u003e: Cordier Auctions\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026-Present\u003c\/strong\u003e: Visard Gallery\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003e*Provenance and attribution details are based on our best research and are offered in good faith but are not guaranteed. Please contact us through the contact form with any questions prior to purchase.\u003c\/em\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAcademic Resources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/fi3m8b0grc277g12czjg1\/ACj1KDAbO13SKyhypI6ysLs?rlkey=s3oqgp11pljzq8n4f1vpahu27\u0026amp;st=6nr74zc0\u0026amp;dl=0\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eVirginia Cohn Parkum Research \u003c\/span\u003e\u003c\/a\u003e\u003ca style=\"color: rgb(81, 185, 217);\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/e8vnon5v9ml9f54zs9r07\/ABFaZjTGHmWxTl5a70xzebc?rlkey=tn14xm7bbvo5o0qwd3td3z5g3\u0026amp;st=yx6wbi6y\u0026amp;dl=0\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Visard Gallery","offers":[{"title":"Default Title","offer_id":45742189969569,"sku":"ART054","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/6072\/0801\/files\/ART054_TwoTouches_VirginiaCohnParkum__Full.png?v=1771803777","url":"https:\/\/visardgallery.com\/products\/two-touches-virginia-cohn-parkum-c-unknown","provider":"Visard Gallery","version":"1.0","type":"link"}