{"product_id":"soul-clap-hands-and-sing-harlequin-fran-bull-c-2016","title":"Soul, Clap Hands, and Sing: Harlequin - Fran Bull, c. 2016","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"rte-table-wrapper\"\u003e\n\u003ctable width=\"100%\" style=\"width: 98.087%;\" height=\"1543\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eArtwork Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoul, Clap Hands, and Sing: Harlequin\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eFran Bull, c. 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSoul, Clap Hands, and Sing: Harlequin\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e by Fran Bull contains a rich intertextual allusion. The “Soul, Clap Hands, and Sing” portion of the title refers to William Butler Yeats’s poem \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSailing to Byzantium\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, while “Harlequin” refers to the stock character from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ecommedia dell’arte\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, often associated with agility, appetite, mischief, and theatrical disguise. Harlequin, or Arlecchino, is traditionally a clever servant and comic trickster, known for his physicality, masked identity, and patchwork costume. In Yeats’s poem, old age becomes an opportunity to turn away from sensual life, which is destined to fade, and toward a more permanent form of being through the cultivation of the soul. Bull’s work places that elevated spiritual aspiration into dialogue with one of theater’s most animated and elusive figures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis tension feels deeply aligned with Bull’s exhibition \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe’re All at A Party Called Life on Earth\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, a larger-than-life body of work that celebrated an almost Dadaist existence through caricatures drawn from circuses, amusement parks, and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ecommedia dell’arte\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. Rather than treating life as a solemn march toward transcendence, Bull frames it as performance, absurdity, disguise, and spectacle. The soul may clap its hands and sing, but in Bull’s world, it does so while wearing a mask, moving through color, gesture, and comic transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece features an abstracted face of Harlequin, rendered through fragments of blue, yellow, teal, green, orange, burgundy, black, and white. The figure does not appear as a conventional portrait. Instead, Bull constructs Harlequin as a shifting mask, a body of color and motion that seems to hover between recognition and dissolution. The circular eye-like form near the center anchors the composition, giving the figure a direct, almost hypnotic presence. It reads as both an eye and a painted target, pulling the viewer into the psychological center of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBull’s color choices echo the character’s traditional patchwork identity without relying on literal diamond patterning. The face is assembled through irregular blocks and streams of color, as though Harlequin’s costume has migrated into the structure of the head itself. Yellow arcs across the upper portion like a cap or crown, while the blues and teals sweep downward with fluid theatrical energy. Orange and burgundy passages add heat and bodily intensity, while black marks and splatters create rupture, definition, and comic volatility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe white space surrounding the figure is essential to the work’s impact. Against this open field, Harlequin appears suspended, isolated, and theatrically lit. The paper becomes a stage, and every mark becomes part of the performance. Small splatters, thin linear gestures, and scattered dots give the image a sense of movement, as though the character has just spun into view and left traces of motion behind. The composition feels less like a fixed portrait than a performance captured mid-turn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe protruding form extending from the right side of the figure complicates the reading further. It could be seen as a nose, a mask extension, a breath, or a comic appendage emerging from the face. Like much of Bull’s work, it resists a single interpretation. Instead, it reinforces the figure’s strange hybridity: part mask, part creature, part performer, part painted eruption. Harlequin is recognizable not because the image illustrates him literally, but because the work carries his spirit of instability, mischief, and transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBull’s handling of abstraction allows Harlequin to remain present without becoming fixed. The image gives us enough to locate the mask-like face, the animated profile, the central eye, and the suggestion of theatrical costume, but it never settles into illustration. The figure stays in flux. He is part clown, part trickster, part soul, and part color-field apparition. This instability mirrors the nature of Harlequin himself, a character who moves between servant and manipulator, fool and strategist, body and disguise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Yeats reference deepens this reading. In \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSailing to Byzantium\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the soul seeks a form that might outlast the body’s decay. Bull’s Harlequin complicates that ambition by giving us a figure rooted in motion, performance, appetite, and play. He is not purified into stillness. Instead, he is transformed through art into a vivid, enduring symbol of theatrical life. The mask becomes a vessel for animation. The comic figure becomes a site of spiritual energy. The soul does not escape the party; it performs within it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSoul, Clap Hands, and Sing\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series unique is how sharply it diverges from the series that came before and after it. It sits like the middle layer of a three-tiered abstract birthday cake, pressed between the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSophia\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTar Pits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series, which share more recognizable motifs with one another. Here, Bull gives us something distinct, vibrant, and refreshingly theatrical: an abstract expressionist work filtered through humor, performance, literary reference, and symbolic disguise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSoul, Clap Hands, and Sing: Harlequin\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is ultimately a work about transformation through performance. Bull takes one of theater’s most slippery comic figures and gives him visual intensity, spiritual resonance, and painterly vitality. Harlequin becomes more than a masked trickster. He becomes a fractured performer clapping his hands and singing from the middle of life’s absurd party, a figure who reminds us that the soul may be cultivated not only through solemn transcendence, but also through color, motion, laughter, and disguise.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n-\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eJonathan Flike\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eFran Bull\u003c\/strong\u003e \u003c\/span\u003eis an American artist whose career moves restlessly across painting, drawing, printmaking, sculpture, performance, and installation. Originally associated with the Photorealist movement of the 1970s and 1980s, Bull gradually pushed beyond realism toward a more personal and psychologically charged visual language. Her work often exists between figuration and abstraction, using the body, myth, theatricality, and distortion as tools for exploring consciousness, memory, fear, beauty, and transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBull studied Music and Art at Bennington College and later earned a master’s degree in Art and Art Education from New York University. Her early Photorealist work was shown through Louis K. Meisel Gallery, placing her within one of the central gallery contexts for American Photorealism. Over time, however, Bull’s practice became increasingly experimental. Her ink drawings, prints, sculptural forms, and mixed-media works reveal an artist less interested in reproducing the visible world than in exposing the unstable forces beneath it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis evolution is central to Bull’s importance. In her later work, faces fracture, bodies become theatrical vessels, and forms seem to emerge from dream, satire, ritual, and unconscious thought. Her imagery can be grotesque, humorous, spiritual, and deeply human all at once. Whether working in ink, etching, paint, or sculpture, Bull treats art as a means of passage between worlds: the seen and unseen, the ordinary and mythic, the personal and collective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBull has exhibited in the United States and Europe, with works connected to major phases of American Photorealism, expressionist abstraction, printmaking, and installation. For Visard, her work represents the power of artistic reinvention: a career not defined by a single style, but by an ongoing search for a freer, stranger, and more expansive visual truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eUnderrepresented Artist Information\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike many women artists of her generation, \u003cstrong\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003eFran Bull’s\u003c\/span\u003e\u003c\/strong\u003e career reflects both achievement and uneven recognition within the larger art historical record. Although Bull was connected to significant artistic movements and exhibited widely across multiple decades, her work remains less visible than that of many male contemporaries who moved through similar circles of realism, abstraction, and experimental image-making.\u003c\/p\u003e\n\u003cp\u003eThis underrepresentation is especially important because Bull’s career resists easy categorization. She was not simply a Photorealist, nor solely an expressionist, printmaker, sculptor, or performance-based artist. Her practice evolved across mediums with intellectual restlessness and emotional force, making her body of work harder to flatten into a single market-friendly label. Visard recognizes Bull as an artist whose breadth, reinvention, and psychological depth deserve fuller documentation and continued attention.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eCustom Shipping Notice\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStyle: Modern\u003c\/li\u003e\n\u003cli\u003eSubject: Abstract\/Portrait\u003c\/li\u003e\n\u003cli\u003eYear: 2016\u003c\/li\u003e\n\u003cli\u003eSize: 21.0 x 29.5 in (53.34 x 74.93 cm)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFrame: 27.5 x 36.25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Acrylic\/Ink\u003c\/li\u003e\n\u003cli\u003eMaterial: Paper\u003c\/li\u003e\n\u003cli\u003eSignature: Signed\u003c\/li\u003e\n\u003cli\u003eCirculation status: One of a kind\u003c\/li\u003e\n\u003cli\u003eFrame Status: Framed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eVintage Condition Disclaimer\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003ePlease note that this item is vintage and shows wear consistent with age, use, and history. Signs of wear may include, but are not limited to, minor surface marks, patina, fading, or imperfections typical of older items. All items are sold\u003cstrong\u003e as-is\u003c\/strong\u003e, which is standard with vintage and pre-owned goods and cannot be returned on the basis of condition. Measurements are approximate. We do our best to describe items accurately; however, condition assessments are subjective. If you would like additional details, images, or clarification before purchasing, please contact us through the contact form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eSpecial Condition Notes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHistorical framing comes directly from the artist's estate. \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eProvenance*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2016 - 2025\u003c\/strong\u003e: Fran Bull\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2025 - 2026\u003c\/strong\u003e: Thomas Hirchak Company\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026 - Present\u003c\/strong\u003e: Visard Gallery\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003e*Provenance and attribution details are based on our best research and are offered in good faith but are not guaranteed. Please contact us through the contact form with any questions prior to purchase.\u003c\/em\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAcademic Resources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003ca href=\"https:\/\/www.dropbox.com\/scl\/fo\/dgzc8rsmb0f2vdb02cg7q\/AM6dLj3CYZS6rXctjJZO3WY?rlkey=3mbd3co4jw157n8n6oze4r7te\u0026amp;st=h7n5rv73\u0026amp;dl=0\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Research\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ca style=\"color: rgb(80, 197, 215);\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/azy0g1jiiuwoqobunfvnr\/AGNcmO5EW9EmfgkXAAtYTGg?rlkey=4fny60lhndc49gpfh98y8e84j\u0026amp;st=45vm26dt\u0026amp;dl=0\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Fran_Bull\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Wikipedia\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/franbull.com\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Website\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.facebook.com\/franbullart\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.saatchiart.com\/syzygy?srsltid=AfmBOooNyRr0CMit8R6gzoTkYA866lPLxwOBrAtxraJeecxuIecSE2sC\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull on Saatchi Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Visard Gallery","offers":[{"title":"Default Title","offer_id":46595369664673,"sku":"ART167","price":3150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/6072\/0801\/files\/ART167_FranBull_SoulClapHandsandSingHarlequin_Full.png?v=1782263163","url":"https:\/\/visardgallery.com\/products\/soul-clap-hands-and-sing-harlequin-fran-bull-c-2016","provider":"Visard Gallery","version":"1.0","type":"link"}