{"product_id":"sophia-series-word-unsaid-fran-bull-c-1990s","title":"Sophia Series: Word Unsaid - Fran Bull, c. 1990s","description":"\u003carticle dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"rte-table-wrapper\"\u003e\n\u003ctable height=\"1543\" style=\"width: 98.087%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eArtwork Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSophia Series: Word Unsaid*\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eFran Bull, c. 1990s\u003c\/em\u003e\u003c\/p\u003e\n\u003carticle dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cem\u003eSophia Series: Word Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e by Fran Bull is a vivid, large-scale abstraction that transforms silence into a living visual force. The title immediately places the work in conversation with language, but not language as speech, clarity, or resolution. This is language held back. It is the word before release, the sentence stopped in the throat, the thought that remains internal because it is too charged, too complex, or too difficult to give away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe work feels deeply aligned with Bull’s broader vision for the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSophia\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series. Bull described her quest as the invention of motifs that could stand for things in the world while remaining entirely strange, “like a secret alphabet.” In \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eWord Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, that secret alphabet feels especially important. The painting is full of possible signs, orbs, pathways, membranes, marks, and symbolic structures, yet none of them resolve into readable language. The viewer senses that meaning is present, but it remains withheld.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis withholding separates \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWord Unsaid\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e from \u003c\/span\u003e\u003ca href=\"https:\/\/visardgallery.com\/products\/sophia-voyages-word-fran-bull-c-1990s?variant=46651894923425\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cspan\u003eSophia Series: Word\u003c\/span\u003e\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e. In \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWord\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, language seems to bloom outward, becoming form, signal, and body. In \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eWord Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, the energy is more compressed. The painting still radiates color and movement, but its central structure feels heavier, darker, and more obstructed. Rather than language arriving, we encounter language detained. Bull gives us not the spoken word, but the pressure created by its refusal or inability to emerge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe central dark form anchors the composition. Rising through the lower middle of the painting, it reads as a trunk, root, throat, vessel, or blockage. Its black and gold surface feels dense and sedimented, as though material has accumulated there over time. Gold flecks within the darkness complicate the form beautifully. They prevent it from becoming purely negative. The darkness contains value, history, and illumination, but it also appears difficult to access. This becomes a powerful metaphor for the unsaid: what is withheld may be painful, but it may also be precious.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAround this central obstruction, Bull builds an expansive field of saturated color. Deep blue and violet dominate the upper and central areas, creating a nocturnal or interior atmosphere. Hot pink and red circular forms pulse within that space like thoughts, memories, or emotional nodes. These rounded forms could be read as speech bubbles, cells, planets, eyes, or sealed vessels. They suggest communication, but communication that remains enclosed. Their circularity gives them presence, yet their meaning stays locked inside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe turquoise field at the lower left offers a striking counterbalance. It feels open, cool, and almost spatially separate from the rest of the painting. Against the heat of the reds and magentas, the turquoise creates a zone of clarity or distance. Yet even this area is not empty. Small circular marks and delicate signs occupy the field, suggesting that even the calmer portions of the image are part of Bull’s symbolic system. Nothing in the painting is neutral. Every space feels inhabited by potential meaning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBull’s use of red, orange, and triangular forms along the left edge adds another layer of visual intensity. These shapes function almost like warning flags, teeth, or ritual markers. They create a border that feels both decorative and alert. The eye is pulled downward through them, then back into the dense interior of the painting. This edge detail helps frame the work as a contained environment, a world with its own internal logic and pressure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe large pink and red orbs are equally important. They hover like emotional planets inside the field, glowing with inward heat. One sits near the upper left, almost luminous, while another larger red form occupies the center. These forms suggest thoughts that have taken shape but have not crossed into speech. They are not empty circles; they feel swollen with content. Bull gives the unsaid word mass, color, and emotional temperature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe painting’s surface is also full of interruptions: black splatters, linear marks, small circular forms, drips, and abrupt changes in color. These disruptions prevent the image from becoming too smooth or decorative. They suggest the messiness of internal life, where thoughts do not arrive cleanly and feelings do not always organize themselves into coherent statements. Bull’s abstraction becomes a way of honoring that difficulty. She does not translate the unsaid into a simple symbol. She lets it remain complicated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis complexity gives the work its maturity. \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eWord Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is not simply about silence as absence. It is about silence as presence. It asks what happens to meaning when it is not voiced. Does it disappear, or does it become something else? Bull’s painting suggests the latter. The unsaid word becomes cellular, cosmic, bodily, and architectural. It moves through the image, shaping everything around it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe scale of the work strengthens this reading. At 40 by 60 inches, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eWord Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e does not feel private or small, even though its subject is internal. The unspoken becomes monumental. Bull enlarges interior experience until it occupies the room with physical authority. This is one of the compelling tensions of the piece: the word is unsaid, yet the painting itself is impossible to ignore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSophia Series: Word Unsaid\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eis about withheld language and the force it continues to carry without the need for vocalization. Bull turns silence into color, pressure, structure, and movement. The word may never be spoken, but it is not erased. It remains active beneath the surface, glowing, accumulating, and transforming. In Bull’s hands, what is unsaid becomes its own form of speech: strange, radiant, and alive.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n-\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eJonathan Flike\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003ch6 class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cstrong\u003e\u003cem\u003e*The title of this work was assigned by Visard Gallery.\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eFran Bull\u003c\/strong\u003e \u003c\/span\u003eis an American artist whose career moves restlessly across painting, drawing, printmaking, sculpture, performance, and installation. Originally associated with the Photorealist movement of the 1970s and 1980s, Bull gradually pushed beyond realism toward a more personal and psychologically charged visual language. Her work often exists between figuration and abstraction, using the body, myth, theatricality, and distortion as tools for exploring consciousness, memory, fear, beauty, and transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBull studied Music and Art at Bennington College and later earned a master’s degree in Art and Art Education from New York University. Her early Photorealist work was shown through Louis K. Meisel Gallery, placing her within one of the central gallery contexts for American Photorealism. Over time, however, Bull’s practice became increasingly experimental. Her ink drawings, prints, sculptural forms, and mixed-media works reveal an artist less interested in reproducing the visible world than in exposing the unstable forces beneath it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis evolution is central to Bull’s importance. In her later work, faces fracture, bodies become theatrical vessels, and forms seem to emerge from dream, satire, ritual, and unconscious thought. Her imagery can be grotesque, humorous, spiritual, and deeply human all at once. Whether working in ink, etching, paint, or sculpture, Bull treats art as a means of passage between worlds: the seen and unseen, the ordinary and mythic, the personal and collective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBull has exhibited in the United States and Europe, with works connected to major phases of American Photorealism, expressionist abstraction, printmaking, and installation. For Visard, her work represents the power of artistic reinvention: a career not defined by a single style, but by an ongoing search for a freer, stranger, and more expansive visual truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eUnderrepresented Artist Information\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike many women artists of her generation, \u003cstrong\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003eFran Bull’s\u003c\/span\u003e\u003c\/strong\u003e career reflects both achievement and uneven recognition within the larger art historical record. Although Bull was connected to significant artistic movements and exhibited widely across multiple decades, her work remains less visible than that of many male contemporaries who moved through similar circles of realism, abstraction, and experimental image-making.\u003c\/p\u003e\n\u003cp\u003eThis underrepresentation is especially important because Bull’s career resists easy categorization. She was not simply a Photorealist, nor solely an expressionist, printmaker, sculptor, or performance-based artist. Her practice evolved across mediums with intellectual restlessness and emotional force, making her body of work harder to flatten into a single market-friendly label. Visard recognizes Bull as an artist whose breadth, reinvention, and psychological depth deserve fuller documentation and continued attention.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eCustom Shipping Notice\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDue to size, weight, and handling requirements, this painting requires oversized shipping. Shipping costs are $500 and include white glove delivery to our shipping partner. If you live in the Southern California area, please reach out for in-person delivery options at a reduced cost. \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStyle: Modern\u003c\/li\u003e\n\u003cli\u003eSubject: Abstract\u003c\/li\u003e\n\u003cli\u003eYear: 1990s\u003c\/li\u003e\n\u003cli\u003eSize: 40.0 x 60.0 in (101.6 x 152.4 cm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Mixed media\u003c\/li\u003e\n\u003cli\u003eMaterial: Paper\u003c\/li\u003e\n\u003cli\u003eSignature: Unsigned\u003c\/li\u003e\n\u003cli\u003eCirculation status: One of a kind\u003c\/li\u003e\n\u003cli\u003eFrame Status: Unframed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eVintage Condition Disclaimer\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003ePlease note that this item is vintage and shows wear consistent with age, use, and history. Signs of wear may include, but are not limited to, minor surface marks, patina, fading, or imperfections typical of older items. All items are sold\u003cstrong\u003e as-is\u003c\/strong\u003e, which is standard with vintage and pre-owned goods and cannot be returned on the basis of condition. Measurements are approximate. We do our best to describe items accurately; however, condition assessments are subjective. If you would like additional details, images, or clarification before purchasing, please contact us through the contact form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eSpecial Condition Notes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eProvenance*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1990s - 2025\u003c\/strong\u003e: Fran Bull\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2025 - 2026\u003c\/strong\u003e: Thomas Hirchak Company\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026 - Present\u003c\/strong\u003e: Visard Gallery\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003e*Provenance and attribution details are based on our best research and are offered in good faith but are not guaranteed. Please contact us through the contact form with any questions prior to purchase.\u003c\/em\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAcademic Resources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/dgzc8rsmb0f2vdb02cg7q\/AM6dLj3CYZS6rXctjJZO3WY?rlkey=3mbd3co4jw157n8n6oze4r7te\u0026amp;st=h7n5rv73\u0026amp;dl=0\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Research\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.dropbox.com\/scl\/fo\/azy0g1jiiuwoqobunfvnr\/AGNcmO5EW9EmfgkXAAtYTGg?rlkey=4fny60lhndc49gpfh98y8e84j\u0026amp;st=45vm26dt\u0026amp;dl=0\" style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Fran_Bull\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Wikipedia\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/franbull.com\/\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Website\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.facebook.com\/franbullart\/\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.saatchiart.com\/syzygy?srsltid=AfmBOooNyRr0CMit8R6gzoTkYA866lPLxwOBrAtxraJeecxuIecSE2sC\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(80, 197, 215);\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eFran Bull on Saatchi Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Visard Gallery","offers":[{"title":"Default Title","offer_id":46651996209313,"sku":"ART179","price":6750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/6072\/0801\/files\/ART179_FranBull_SophiaSeriesUnsaid_Full.png?v=1783197502","url":"https:\/\/visardgallery.com\/products\/sophia-series-word-unsaid-fran-bull-c-1990s","provider":"Visard Gallery","version":"1.0","type":"link"}