{"product_id":"reclining-nude-in-conte-v-morgan-c-1980","title":"Reclining Nude in Conte  - V. Morgan, c. 1980","description":"\u003carticle dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"rte-table-wrapper\"\u003e\n\u003ctable height=\"1543\" style=\"width: 98.087%;\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eArtwork Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReclining Nude in Conte*\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eV. Morgan, c. 1980\u003c\/em\u003e\u003c\/p\u003e\n\u003carticle dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"3888\" data-start=\"3385\"\u003eIn \u003cstrong\u003e\u003cem data-end=\"3413\" data-start=\"3388\"\u003eReclining Nude in Conté\u003c\/em\u003e\u003c\/strong\u003e, V. Morgan uses the economy of drawing to transform a traditional studio subject into an expansive study of contour, weight, and spatial rhythm. The horizontally oriented format is particularly well suited to the reclining figure, allowing the body to unfold across the page rather than appear compressed within a vertical field. Morgan positions the model close to the edges of the composition, creating a sense that the figure continues beyond the boundaries of the sheet.\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"4314\" data-start=\"3890\"\u003eThe drawing is constructed primarily through contour. Morgan’s line varies in pressure and density, becoming darker where forms overlap or turn away from the light. The underside of the body, the junctions of the limbs, and the areas around the neck and waist receive the strongest emphasis. These concentrated passages function almost like structural joints, holding together the otherwise open and lightly rendered figure.\u003c\/p\u003e\n\u003cp data-end=\"4715\" data-start=\"4316\"\u003eThis alternation between assertive and nearly disappearing line gives the work its vitality. Certain contours are repeated or adjusted, preserving evidence of the artist’s search for the correct placement. Rather than concealing these revisions, Morgan allows them to remain visible. The result feels observational and responsive, recording not only the model’s body but also the process of looking.\u003c\/p\u003e\n\u003cp data-end=\"5154\" data-start=\"4717\"\u003eThe composition is governed by a series of opposing diagonals. The raised leg moves upward from left to center, while the torso descends gently toward the right. The reclining arm and hanging hand extend this movement beyond the shoulder, creating a long wave-like progression across the page. These diagonals are balanced by the broad horizontal orientation of the figure, producing a composition that is restful without becoming inert.\u003c\/p\u003e\n\u003cp data-end=\"5569\" data-start=\"5156\"\u003eNegative space plays an essential role. The unworked paper within and around the figure acts as a source of light, while the open triangular area beneath the lifted leg gives the pose clarity and tension. Morgan avoids enclosing every form with equal force, allowing certain passages to dissolve into the surrounding surface. This makes the figure feel atmospheric even though the drawing is fundamentally linear.\u003c\/p\u003e\n\u003cp data-end=\"5980\" data-start=\"5571\"\u003eThe model’s anatomy is conveyed through compression and elongation rather than strict academic precision. Foreshortening causes portions of the body to overlap, while the lifted leg and turned torso create subtle distortions in scale. These deviations do not weaken the study. Instead, they communicate the experience of viewing the figure from a particular position and preserve the immediacy of the sitting.\u003c\/p\u003e\n\u003cp data-end=\"6436\" data-start=\"5982\"\u003eThe handling of the head and hand introduces an expressive counterpoint to the broader masses of the torso and legs. The head is tilted back, with the facial features reduced to a few delicate marks. The hand, by contrast, extends downward with long articulated fingers. Both areas suggest vulnerability and release, but neither is overdeveloped. Morgan keeps the emotional tone understated, allowing posture to carry more meaning than facial expression.\u003c\/p\u003e\n\u003cp data-end=\"6851\" data-start=\"6438\"\u003eThe conté medium contributes warmth and softness while still providing the firmness required for structural drawing. Its reddish-brown tone recalls traditional figure studies and gives the work an earthy, bodily quality. Morgan uses smudging sparingly, reserving it for areas where volume or shadow is needed. The restraint prevents the drawing from becoming overly modeled and preserves the elegance of the line.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"7349\" data-start=\"6853\"\u003eAlthough the nude has long been central to academic training, this work feels less concerned with demonstrating technical mastery than with capturing a specific bodily state. The figure appears relaxed, but the pose contains subtle tension through the raised leg, extended neck, and loosely hanging hand. That balance between repose and strain gives the drawing its psychological depth. \u003cstrong\u003e\u003cem data-end=\"7265\" data-start=\"7240\"\u003eReclining Nude in Conté\u003c\/em\u003e\u003c\/strong\u003e succeeds as both an anatomical study and an intimate record of temporary stillness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n-\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eJonathan Flike\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003ch6 class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cstrong\u003e\u003cem\u003e*The title of this work was assigned by Visard Gallery.\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eN\/A\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eUnderrepresented Artist Information\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eCustom Shipping Notice\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStyle: Modern\u003c\/li\u003e\n\u003cli\u003eSubject: Nude\u003c\/li\u003e\n\u003cli\u003eYear: 1980\u003c\/li\u003e\n\u003cli\u003eSight: 21.75 x 11.25 (55.24 x 28.57 cm)\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMatting: 28.0 x 18.0 in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Conte Crayon\u003c\/li\u003e\n\u003cli\u003eMaterial: Paper\u003c\/li\u003e\n\u003cli\u003eSignature: Signed\u003c\/li\u003e\n\u003cli\u003eCirculation status: One of a kind\u003c\/li\u003e\n\u003cli\u003eFrame Status: Unframed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eVintage Condition Disclaimer\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003ePlease note that this item is vintage and shows wear consistent with age, use, and history. Signs of wear may include, but are not limited to, minor surface marks, patina, fading, or imperfections typical of older items. All items are sold\u003cstrong\u003e as-is\u003c\/strong\u003e, which is standard with vintage and pre-owned goods and cannot be returned on the basis of condition. Measurements are approximate. We do our best to describe items accurately; however, condition assessments are subjective. If you would like additional details, images, or clarification before purchasing, please contact us through the contact form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eSpecial Condition Notes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eN\/A\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eProvenance*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1980\u003c\/strong\u003e: V. Morgan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1980 - 2026:\u003c\/strong\u003e Unknown\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026:\u003c\/strong\u003e Secondary Market\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026 - Present\u003c\/strong\u003e: Visard Gallery\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003e*Provenance and attribution details are based on our best research and are offered in good faith but are not guaranteed. Please contact us through the contact form with any questions prior to purchase.\u003c\/em\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAcademic Resources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eN\/A\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Visard Gallery","offers":[{"title":"Default Title","offer_id":46681140658337,"sku":"ART145","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/6072\/0801\/files\/ART145_VMorgan_RecliningNudeinConte_Full.png?v=1783883491","url":"https:\/\/visardgallery.com\/products\/reclining-nude-in-conte-v-morgan-c-1980","provider":"Visard Gallery","version":"1.0","type":"link"}