{"product_id":"lady-in-red-virginia-cohn-parkum-c-1980s","title":"Lady in Red - Virginia Cohn Parkum, c. 1980s","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"b4b4e1d1-7f85-478b-ad26-490320b8c976\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ba5e0f6d-53ed-43ac-8dd3-bccf9fc79f84\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cbr\u003e\n\u003ctable width=\"100%\" style=\"width: 98.087%;\" height=\"1543\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong data-start=\"0\" data-end=\"53\"\u003eArtwork Description\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLady in Red*\u003c\/strong\u003e\u003cbr data-start=\"53\" data-end=\"56\"\u003e\u003cem data-start=\"56\" data-end=\"88\"\u003eVirginia Cohn Parkum, c. 1980s\u003c\/em\u003e\u003c\/p\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"b4b4e1d1-7f85-478b-ad26-490320b8c976\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ba5e0f6d-53ed-43ac-8dd3-bccf9fc79f84\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"7dbb9ce6-002d-4a76-84f7-6af88d3e62f9\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"80\" data-end=\"652\"\u003eIn \u003cem data-start=\"83\" data-end=\"96\"\u003eLady in Red\u003c\/em\u003e, Virginia Cohn Parkum reduces portraiture to a charged interplay of color, contour, and suggestion. The figure is not fully articulated but emerges from a saturated red field that both defines and consumes the surrounding space. This chromatic dominance denies conventional depth and situates the subject within an enveloping atmosphere, where figure and ground remain in constant negotiation. The red plane functions simultaneously as garment, aura, and emotional climate, transforming the portrait into an experiential rather than descriptive encounter.\u003c\/p\u003e\n\u003cp data-start=\"654\" data-end=\"1231\"\u003eThe head and torso are built through dark, cool passages of green-black and violet that hover beneath the surface, suggesting structure without resolving into detailed anatomy. These shadowed areas form a mask-like presence, interrupted by swift linear incisions that trace the bridge of the nose, the contours of the eyes, and the curve of the cheek. The eyes are only implied through thin, looping lines, creating an effect of veiled perception — the subject appears both present and withheld. This economy of line resists portrait likeness in favor of psychological opacity.\u003c\/p\u003e\n\u003cp data-start=\"1233\" data-end=\"1718\"\u003eParkum’s handling of paint underscores the painting’s tension between immediacy and erasure. Broad, translucent washes allow earlier layers to remain visible, while dragged strokes and vertical streaks introduce a sense of gravity and downward movement. The pigment appears to bleed and settle, suggesting a figure in the process of appearing and dissolving. Areas of exposed ground and thin scumbling record revision and hesitation, emphasizing the temporality of the act of painting.\u003c\/p\u003e\n\u003cp data-start=\"1720\" data-end=\"2181\"\u003eThe chromatic structure is central to the work’s interpretive resonance. Red operates here not merely as clothing but as a field of intensity that can be read in multiple registers: vitality, sensuality, vulnerability, or emotional saturation. The cooler underlayers introduce restraint and distance, preventing the red from becoming purely decorative. Instead, the color relationships produce a tension between heat and containment, visibility and concealment.\u003c\/p\u003e\n\u003cp data-start=\"2183\" data-end=\"2637\"\u003eThe figure’s downward tilt and softened contours suggest introspection rather than outward engagement. Rather than confronting the viewer, the subject appears absorbed within her own interior space. Parkum’s refusal to stabilize the facial features reinforces this inwardness, presenting identity as provisional and fluid. The portrait thus becomes less a depiction of an individual than an exploration of presence shaped by mood, memory, and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"2639\" data-end=\"3052\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSituated within expressionist figuration, \u003cem data-start=\"2681\" data-end=\"2694\"\u003eLady in Red\u003c\/em\u003e transforms the conventions of portrait painting into an inquiry into perception and emotional presence. Through the dominance of color, the spareness of line, and the visible traces of process, Parkum presents the figure as an unstable convergence of form and feeling — an image that hovers between emergence and dissolution within a field of red intensity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n-\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003eJonathan Flike\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: rgb(114, 58, 150);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003ch6 class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\u003cstrong\u003e\u003cem\u003e*The title of this work was assigned by Visard Gallery.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eCustom Shipping Notice\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDue to size, weight, and handling requirements, this painting requires custom shipping. Shipping costs are \u003cstrong data-start=\"222\" data-end=\"238\"\u003enot included\u003c\/strong\u003e at the time of purchase and will be \u003cstrong data-start=\"275\" data-end=\"322\"\u003equoted separately after payment is received\u003c\/strong\u003e. A custom shipping invoice will be issued \u003cstrong data-start=\"365\" data-end=\"393\"\u003ewithin 3–5 business days\u003c\/strong\u003e, based on the artwork’s dimensions, destination, and quotes from our shipping partners. The artwork will \u003cstrong data-start=\"499\" data-end=\"560\"\u003enot ship until the shipping invoice has been paid in full\u003c\/strong\u003e. This process ensures appropriate packing, insurance, and safe delivery.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStyle: Modern\u003c\/li\u003e\n\u003cli\u003eSubject: Figure\u003c\/li\u003e\n\u003cli\u003eYear: 1980s\u003c\/li\u003e\n\u003cli\u003eSize: 10.50 x 13.50 in (26.67 x 34.29 cm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Acrylic\u003c\/li\u003e\n\u003cli\u003eMaterial: Paper\u003c\/li\u003e\n\u003cli\u003eSignature: Signed\u003c\/li\u003e\n\u003cli\u003eCirculation status: One of a kind\u003c\/li\u003e\n\u003cli\u003eFrame Status: Framed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong data-end=\"119\" data-start=\"78\"\u003eVintage Condition Disclaimer\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-end=\"122\" data-start=\"119\"\u003e\u003c\/strong\u003ePlease note that this item is vintage and shows wear consistent with age, use, and history. Signs of wear may include, but are not limited to, minor surface marks, patina, fading, or imperfections typical of older items. All items are sold\u003cstrong\u003e as-is\u003c\/strong\u003e, which is standard with vintage and pre-owned goods and cannot be returned on the basis of condition. Measurements are approximate. We do our best to describe items accurately; however, condition assessments are subjective. If you would like additional details, images, or clarification before purchasing, please contact us through the contact form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eSpecial Condition Notes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHistorical Frame (please see Historical Framing \u0026amp; Framing Components Policy)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eProvenance*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1980s-2025\u003c\/strong\u003e: Virginia Cohn Parkum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2025-2026\u003c\/strong\u003e: Cordier Auctions\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2026-Present\u003c\/strong\u003e: Visard Gallery\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003e*Provenance and attribution details are based on our best research and are offered in good faith but are not guaranteed. Please contact us through the contact form with any questions prior to purchase.\u003c\/em\u003e\u003c\/h6\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 100%;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003cstrong\u003eAcademic Resources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/fi3m8b0grc277g12czjg1\/ACj1KDAbO13SKyhypI6ysLs?rlkey=s3oqgp11pljzq8n4f1vpahu27\u0026amp;st=6nr74zc0\u0026amp;dl=0\" target=\"_blank\"\u003e\u003cspan style=\"color: rgb(81, 185, 217);\"\u003eVirginia Cohn Parkum Research \u003c\/span\u003e\u003c\/a\u003e\u003ca style=\"color: rgb(81, 185, 217);\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/e8vnon5v9ml9f54zs9r07\/ABFaZjTGHmWxTl5a70xzebc?rlkey=tn14xm7bbvo5o0qwd3td3z5g3\u0026amp;st=yx6wbi6y\u0026amp;dl=0\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Visard Gallery","offers":[{"title":"Default Title","offer_id":45722439581857,"sku":"ART029","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/6072\/0801\/files\/ART029_VirginiaCohnParkum_LadyinRed_Full.png?v=1771219221","url":"https:\/\/visardgallery.com\/products\/lady-in-red-virginia-cohn-parkum-c-1980s","provider":"Visard Gallery","version":"1.0","type":"link"}